“Good” has nothing to do with looks, gender, sexuality, race, or any other physical characteristic.

Kayla doesn’t like the term “true” Dominant.

The warnings about the bad Dominants are important but we should also celebrate the good Dominants.

They don’t have all the same traits and everyone wants and needs something a little different, but if your Dominant possesses even a few of these traits, you’ve probably got yourself a good one.

Instead of focusing on the bad Doms, this episode celebrates the good ones out there. This week’s topic: what does a good Dominant look like? And no, we’re not talking physical features. Kayla Lords hosts the third episode of Loving BDSM. Subscribe: Google Podcasts | Spotify | Stitcher | TuneIn | RSS | More Play in new window | Download (Duration: 9:28 - 13.3MB) EXHIBITIONS 2020 | „QUARANTARIUM: Resilience in the Time of COVID19” group online exhibition Kooshk Residency in collaboration with Mohsen Gallery in partnership with Austrian Cultural Forum Teheran 2016 | “REFASHIONING AUSTRIA” group exhibition in collaboration with Liu Haisu Art Museum and the Austrian Federal Chancellery Shanghai 2014 | „THE LOVE SHOW“ group exhibition glanz&gloria Vienna 2002 – 2014 | Several participations in international fashion fairs, exhibitions and shows in Beijing, Havana, Colombo, London, Paris, Berlin, Vienna and Graz.

AWARDS AND PRIZES 2012 | Winner of the Modepalast best of 10 Award 2011 | Winner of the Vienna Chamber of Commerce Fashion Production Prize AFA AWARDS 2011 | Winner of the GREEN & CLEAN FASHION AWARD PUBLIC ACQUISITIONS 2021 | Purchase by the State of Styria, Section 9 Austria 2019 | Purchase by the Costume and Fashion Collection of the University of Applied Arts Vienna Various purchases by private art collectors. Doing that, she portrays them in a new, conceptualized context. For reassigning meaning, form and function of these found objects she uses techniques of creative interventions. Her inspiration evolves from dealing in depth with coincidentally „found items“: objects relating to her rural origin, as well as other items corresponding to her very unique understanding of something being “of value”.

Since 2014 STEINWIDDER creates three-dimensional artworks being a continuum of her artistic language. Holding a degree in architecture, she established her internationally acclaimed fashion label STEINWIDDER in 2002, focussing on conceptual refashioning of textile waste and second-hand clothing for 15 years.

The loving dominant